If your local New Jersey library doesn’t have a book, you can usually get it through the state’s Interlibrary Loan Service. It’s usually easy to find several libraries that will loan you their copy of whatever you want. But New Jersey’s statewide system has only one copy of The Story of the Eye. Rider University must have acquired it because it’s a work of academic interest. Other libraries must have avoided getting it because it’s really, really dirty.
The author, George Bataille (1897-1962), was “a French intellectual and literary figure working in literature, philosophy, anthropology, consumerism, sociology and history of art” [Wikipedia]. He wrote “essays, novels and poetry”. He published The Story of the Eye, a novella, in 1928 using a pseudonym. An American publisher issued this translation fifty years later.
Briefly, the story describes the sexual and criminal adventures of two teenagers, an unnamed boy and a girl named Simone. They are joined for a while by another girl, Marcelle, and later by a British nobleman, Lord Edward. Along the way, there is an absurd amount of sex, described in explicit and bizarrely dramatic fashion, mixed in with suicide, murder and lots and lots of bodily fluids, especially urine. There is bullfighting, an interlude in a pigsty and goings on in a cathedral that the Catholic Church would not like at all. Eyes, eggs and eye- or egg-like objects also turn up in various, usually disgusting ways.
In a phrase, The Story of the Eye is an early example of “transgressive fiction”, a literary genre in which the characters violate the norms and expectations of society in various “unusual or illicit” ways. As such, it’s been discussed and celebrated through the years by a number of academics, intellectuals and artists. Someone even used it as the basis for a movie.
I wouldn’t say I exactly enjoyed reading it. It’s a curiosity. I assumed it was supposed to “mean something”, but didn’t know what. So it was a relief to find a brief final chapter that possibly provides a partial explanation. It’s called “Coincidences”. It describes events from the author’s life that may have given rise to his work. His father was disabled and died of syphilis. His mother tried to kill herself. The “author”, or Bataille, refers to “certain images …, the most scandalous, … those on which the conscious floats indefinitely, unable to endure them without an explosion or aberration” . I don’t know if this final chapter actually describes some of the events from Bataille’s life that led to this story. I do know that The Story of the Eye is an explosion and an aberration.